Be The Endowment Framework

BeTheMuseum: The Endowment Rooms grew from recognizing a pattern of scarcity in myself, my friends, and the artists around me. I began to see how I wasted so placed in the position of begging for survival: applying, waiting, hoping, proving, and asking to be chosen. Over time, I realized this pattern was not only in the arts. It appeared everywhere, from schools to jobs to nonprofit structures.
I began studying private foundations, endowments, and the financial systems that often support nonprofit institutions. At the same time, I started writing publicly here about these questions. Instagram became a site for field notes and conversation, a place where artists could respond with their own experiences of fear, scarcity, confusion, exclusion, abundance, and the desire to take control of their lives without having to do it alone. I began educating myself in financial language, invited a small group of artists to learn with me, and am turning the research into writing, images, songs, ceremony, and public dialogue.
Be The Endowment Framework

BeTheMuseum: The Endowment Rooms grew from recognizing a pattern of scarcity in myself, my friends, and the artists around me. I began to see how I wasted so placed in the position of begging for survival: applying, waiting, hoping, proving, and asking to be chosen. Over time, I realized this pattern was not only in the arts. It appeared everywhere, from schools to jobs to nonprofit structures.
I began studying private foundations, endowments, and the financial systems that often support nonprofit institutions. At the same time, I started writing publicly here about these questions. Instagram became a site for field notes and conversation, a place where artists could respond with their own experiences of fear, scarcity, confusion, exclusion, abundance, and the desire to take control of their lives without having to do it alone. I began educating myself in financial language, invited a small group of artists to learn with me, and am turning the research into writing, images, songs, ceremony, and public dialogue.
